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The last and probably the most important consideration is the quality of the sound card. If you re using SPDIF to transfer the audio to a receiver, the analog quality of the sound card is irrelevant, which makes it possible to use a lower-quality sound card. However, be aware that lower-quality sound cards often have less reliable timing clocks, which can degrade audio quality even over a digital connection. Plenty of reviews on the Internet claim to measure the quality of sound cards, but the best way to determine what kind of sound card you need is simply to listen to it. Once you ve chosen your speakers (see 11), try hooking them up to the built-in sound on your motherboard. If you re satisfied, you may not need to buy a separate sound card at all. On the other hand, if you consider yourself an audiophile type, why not try auditioning several cards to see which one sounds best For the most part, sound cards are cheap (~$100), and rejects can be resold on eBay if you can t return them to the seller for a refund or exchange them for something else.

When you re done, click OK to close the Customize User Interface dialog box. Choose the new menu item that references the image-tile menu, and the image-tile dialog box appears. AutoCAD or AutoCAD LT automatically creates the dialog box. If it has more than 20 items, AutoCAD or AutoCAD LT creates Previous and Next boxes as well. To use one of the images, choose it either from the listing or from the image tiles and click OK. Figure 33-16 shows an image-tile menu that inserts the symbols shown.

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In the back rooms of some print houses and art shops, a controversy is brewing over which command is better, Levels or Curves. Based on a few letters I ve received over the years, it seems that some folks consider Curves to be the command for real men and Levels suitable only for color-correcting wimps. Naturally, this is a big wad of hooey. Levels provides a histogram, which is absolutely essential for gauging the proper setting for black and white points. Meanwhile, Curves lets you map out a virtually infinite number of significant points on a graph. The point is, both commands have their advantages, and both offer practical benefits for intermediate and advanced users alike. There s no substitute for a good histogram, so I prefer to use Levels for my day-today color correcting. If you can t quite get the effect you want with Levels, or you know that you need to map specific brightness values in an image to other values, use Curves. The Curves command is the more powerful function, but it is likewise more cumbersome.

With the user interface model in hand, you are now ready to build a more formal model that shows the entities used by the application in greater detail. The rst of those models discussed in this chapter is the semantic object model.

Some complex drawings may have dozens of layers and you may have a hard time finding the layer that you want to change in the Layer Properties Manager. You can filter the layer list so that you only see the layers that you want. This makes it easy to change a group of layers at once. The filter tree panel on the left side of the Layer Properties Manager contains one filter, All Used Layers, as well as the default that displays all layers. To display only used layers, click the All Used Layers filter in the filter tree panel.

It can be seen that only the difference frequencies (beat frequencies) and no absolute frequencies vk are contained in this intensity anymore Consider a mode series consisting of every kth mode of the longitudinal modes of a resonator The frequencies of this mode series vk p have a spectral distance of vk p 2 vk ( p 1) k Dv (k and p being integers) If there exists a locking mechanism for their phases, it will apply uk p 2 uk ( p 1) const for every integer p and every pulse In this case in Eq (27), cos(uk p 2 uk ( p 1)) has the same value for every Q-switch pulse (eg, 1) Other terms like cos(uk p 1 2 uk ( p 1) 1) in front of cos(kDv) have different values since they are not supported by the locking mechanism.

f (Qx+ (1 - 0)Y) L Q f ( 4+ ( 1 - 4.f(Y).

Defining Functions Pass by object reference All about parameters Arbitrary arguments Apply: passing arguments from a tuple A bit of functional programming Grouping Code with Modules Laying out a module Taking inventory of a module Importing Modules What else happens upon import Reimporting modules Exotic imports Locating Modules Python path Compiled files Understanding Scope Rules Is it local or global Listing namespace contents Grouping Modules into Packages Compiling and Running Programmatically 87 88 88 89 90 90 91 91 92 92 93 93 94 94 94 95 95 95 96 96 97.

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